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Yellow Man Street
This was originally sent in to a contest based on the song "Yellow Man Street" by Irish singer Eamonn O'Connor. I won, but would now like to expand this out to something more significant. Any comments on what to elaborate on, delete, or an actual storyline would be helpful. If you would like, Eamonn can be found on myspace easily.
Eugene may as well blend into the pavement.
May as well.
Since his grandfather's conception, Eugene has pulled his cart onto the sidewalk, creeping closer to the road, to sell what would sell'books, bookends; pint glasses, shot glasses, eyeglasses; foreign dirt, foreign water; statues of saints, statues of sinners. He sold everything but himself. Eugene would willingly give himself again. He had twice: once at eight to a girl with red pigtails and the knowledge of exactly which spot to kick on a boy's shin to make it hurt the most, and again to a Spanish girl who didn't understand a word he said. She took him, but didn't give herself in return. Eugene was convinced she hardly even noticed when he stopped coming around her house.
So he pulled his cart out, ready to sell, ready to give. He watched as people passed by each day, hardly willing to meet his eyes for fear of even talking to him. It wasn't his merchandise they rejected, it was him. The women held onto the men's arms and the men pretended to have nobler things on their minds'to noble to be bothered by a man with a cart, but not too noble to be bothered by a woman on their arms. The street sweeper came by, pushing his broom'he nodded to Eugene, but at least that was something. Eugene thought the sweeper's job was nobler than his. What he sold changed with the seasons, changed with the economy, changed with public tastes and likes and dislikes. The sweeper's job was the same every day: sweep the streets. That aversion to change made it noble.
Eugene listened to the boots on the sidewalk. Each life on the street reduced itself to a click or a thud, followed by a scrape back and up to make the next click. Their lives may be far richer than his, but to the blind man, they all sound alike.
He dragged his left boot through a crack in the sidewalk and let it fall into the street. Then the right. Soldiers start on the left foot. Dancers on the right. Walkers start on what's convenient and pass by carts that aren't.
Eugene may as well blend into the pavement.
May as well.
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Comment by: rosiewolf Online- 2007-11-01 13:31
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| I really like Eugene. I can see him being a great jumping off point to a larger story. I'd like to see more of a sense of place and period. I'd like to get more of a feeling on a very basic five senses level of what it is like to be Eugene. Many times you can inform the reader about a character with very simple physical actions. You've done a great job of pointing out that he's keenly aware of his invisibility and that he's bitter about it. So...you can take that in a great many directions. |
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You do have some very good images and thoughts to this story. I got a little confused with the line "since his grandfather's conception"...who's grandfather? I'm still not sure I got it. The opening lines are great. The little details are great (street sweeper, people looking the other way, sounds on the sidewalk, etc.) And, I'm not sure how you could do it, but maybe making those details connect in some way. I'm not sure if that made sense, but it seems these details are presented to us as completely seperate entities...I'm sorry, I'm not sure where I'm going with it.
As I see it, though, this piece could go anywhere. I could be the start of some larger piece--maybe where something big, possibly tragic, happens on the street changing Eugene's or everyone on the street's lives in a New York Minute (whatever the hell a New York Minute is). Or it could be as simple as a transaction Eugene has with a colorful character.
The possiblities are pretty limitless, which is a great problem to have.
Good luck with it!
kevin |
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What you have here is more of a character sketch or a scene, as oposed to a story, like Penguin said. I think that with more plot (or any) it could easily be turned into a story, but that'sup to you to find. A possible story line could involve some of Eugene's past (you hint at something by telling about the two women), or someone he sees, maybe someone stops to buy something from him just to be kind. What you have now doesn't lead you to any obvious plots, but many different ideas could be twisted and applied to it. Also, you could make a short story by compiling a few different of these sketches, maybe of other people on the street, that could be very interesting and good. You're obviously a very talented writer, I'll bookmark this to see what you do with it. Good luck.
Also, "he nodded to Eugene, but at least that was something" would make more sense as without the "but". |
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To me, one of the biggest differences between poetry (or lyrics) and story telling (or writing) is that poems can get away with hnting at the story, and never actually state it. Stories need to go somewhere, even if, as in flash fiction, it come to a single totally sharp focus on something (I usually refer to this as the punch line).
Here, you finish up where you started. There's nothing wrong with this, but it is a kind of circle. However, so does the reader, when the reader is expecting a spiral - there has to be some obvious change, even if it's reaching the end of the street.
There's a feeling (which could be wrong) that you have never seen a barrow man, plodding the streets. They were going out of style long before I left Scotland (the Irish culture is simalar), and I don't think I ever saw similar creatures in North America in the years I lived there. It's hard to imagine if you've never been there - a rag-and-bone man was a close friend of our family, so I might be being a bit picky. You describe it intellectually, but there's no real empathy for what such people went through.
You have a great idea, one that can be either flash fiction, or as long as you'd like the story to be, but it needs to give the reader more than an intellectual descriptio of the fate - but you do touch on it a couple of times (the sameness of the on-lookers' lives).
Hope this helps (you can deposit the reader fees to my Paypal account).
:-) Don't give up on it! |
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