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Luli and Mercedes
Mercedes cleared her throat and spat on the sidewalk as soon as she got off the bus. Luli, already unfurling her umbrella against the mid-morning sun, did a little dance to avoid it. "Ay, chica, you spit like a truck driver!"
Mercedes turned and scowled at her fellow bus rider, stopping at the edge of the street.
She waits for me, thought Luli. That is different.
Every day, the two women rode the 571 bus from Eighth Street through the suburban sprawl down to Bayside Estates - two of the many thousands of economic pilgrims that would toil for the ghosts who had abandoned their luxurious enclaves for careers and spa appointments and private schools. For nine dollars an hour Mercedes and Luli would scrub, wash and clean the possessions of invisible residents. The bus returned at 5:20 to take them away.
The two were not friends. Mercedes would have been content to continue her daily passage on the vaguely air-conditioned bus in solitude, but gradually became aware of Luli, who always seemed to be the same number of seats away no matter where Mercedes sat. Over the next few months, the gap between them began to slowly decrease. This was a glacial process; months passed before words were exchanged.
Mercedes chose not to acknowledge Luli's inexorable approach, but one day she slipped and their eyes made contact. The look lasted for no more than a second but had transmitted a message that had expanded in her mind and began to occupy more and more of her thoughts.
Eventually, names were exchanged, pleasantries spoken. But so far, the only thing Luli had let pass between her very sensuous lips was the usual banal chit-chat about weather and employers.
"Luli, every day, I spit in the same spot. If it bother you so, why you never say nothing?"
Luli remained silent as they crossed the street behind a hot blast of diesel fumes and walked east. Mercedes had to shield her eyes from the glare of the South Florida sun. She had grown up in the foothills overlooking Caracas, where the mountain air swept down over her town. Never so thick and hot as it was here. Today, she felt like an ant walking under a magnifying glass.
"We can share my umbrella," said Luli.
"Are you sure 'bout that? I might sweat on you."
"No problemo." The two began walking side by side, bare arm brushing against bare arm. The canopy of pink sunlight filtering through the umbrella gave Luli's fair skin a warm blush. Mercedes' head began to fill with the citrussy scent of Luli's Herrera.
"Did I ever tell you,' said Luli in a low whisper, "mi papi? He was a truck driver."
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My favorite line would have to be about it being a glacial process. I'm not sure if this is supposed to be a peice of something bigger or this is it, but I feel a bit let down if this is the whole thing. Why did she mention her father being a truck driver? And all the suspense that's built up--which is very good--doesn't seemed to be released from that simple line. I think it is a great start to something, and I really like the language you use. The pacing is good, and suspense builds. I also like the ant under the magnifying glass comment.
Keep up on it!
Best of luck to you!
--kevin |
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Comment by: PANDORA - 2007-03-17 14:08
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They were two (OUT)of the thousands
As the residents abandoned their luxurious enclaves for careers(,) (take out the word "and") and spa appointments and private schools, they were replaced by their daytime substitutes
Mercedes had noticed her slow approach and chose not to acknowledge it, but one day she slipped and their eyes made contact.
--make this two sentences--
Mercedes had noticed her slow approach and chose not to acknowledge it. One day she slipped and their eyes made contact.
Luli remained silent as they crossed he street = the
dieselly --works better if you just say "diesel"
Ok, you have given me images of some girl on girl action here.
I agree, this needs to be expanded.
I am all about the guys, but I would not avert my eyes to a girl on girl scene. LOL
Hope the suggestions help.
Sheri** |
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I reread the "pilgrim" part and I have to say I like it. I don't think removing it leaves the same feel.I used to live in San Diego and this line was perfect. I didn't, however, feel attached to the "moon" description. It didn't work for me at all.
Now the language... I'm not sure about the dialogue in Miami but in Cali, it flows a little differently. The socioeconomic background of the two women is obvious. So I understand the behavior and the informality. I think you need a double negative here and remove the 'damn' as it is more of an American obscenity:"Luli, every day, I spit in the same damn spot. If it bother you so, why you never say anythin'?"
This line seems more like Southern colloquial:"Are you sure 'bout that? I might sweat on you." Could be wrong. It just doesn't feel right for a female from South America. Hmmm...
All the description of the bus ride was awesome. And the rest of the exposition worked beautifully. I agree with the folks who want more. I want to know what happens now! |
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Thanks for the comments. You're right about that one paragraph, Peter, it was rewritten but never fell into place.
But I like petite moon! It sounds much better than 'diminutive satellite.' |
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| Yeah! As a nine dollar an hour man myself I can relate to this...but the man in the yellow beak is right...this is a great start but I want to know more about these two. That last line is a good end to the beginning...What do these two get up to next? |
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