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KennethWelling
Kenneth Welling
United States, GA, Marietta

Words: 347
Access: Public
Comments: 5

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I Slapped the Switch Off

I slapped the switch off
And white noise came on again.
Like silence, plush air conditioning
Occupied the church corridors.
My hands were warmed by sunlight
Through dusty windows and friction
As I pulled the vacuum cord in tight loops.

Dusting the pews was awkward exercise
As the seats pressed constantly
the back of one knee
And the quiet led me
To thinking about my father
Who's work I was performing.

He would pay me nothing for these hours
Of consideration, of bending over
God's toilets and God's carpets.
I carried God's trash in my arms,
And a house to learn in was compensation.
Meals at my father's table were lessons
like smoking a dark cigar in one session.

I would startle him awake sometimes in the pews,
And I felt the cause by myself
Below the alter and the cross,
Pushing the dry mop through the heavy air,
And crossing the intermittent warmth of windows,
The presence of silence left my ears ringing,
As if every voice that had moved the air with truth
Remained here, as if someone entering
Would lose the power to hear a distinct phrase.

The warmth of helplessness
Would fall on his working hands,
And the sweaty friction through his calluses
Would force him to set aside the black cord.
The ache in his knees would bend them
Into their rest.
Then the unforgiving wood back
Would bend his bones
To forget their work of support,
To settle against the cushioned seat
While the monstrous weight of security
Pinioned his uneasy thoughts in sleep.

Father, forgive me.
I know they weren't your toilets,
And the smell of refuse is yours
No more than the overwhelming voices.
The presence in the silence
That set you to sleeping is an inheritance
That aches in my ribs
And makes my wife cry.
Oh God, fill me too with the gentle warmth.
Let it fall against my skin
And through the dusty black windows of my eyes
Until the truth about my father
Is a memory I can hear.

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Comments  
mrsspark Comment by: mrsspark - 2008-04-28 15:04
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Apologies for not having commented this sooner - I've come back to it a few times, but the enigma of that last stanza kept defeating me.

It starts off so innocent, doesn't it? I like the way it takes the closeness of the father-son relationship and twists it into something crushing. There are some clever biblical echoes ('meals at my father's table') which bind the narrative voice's relationship with God to that with his physical father.

The penultimate stanza made my stomach churn. The confessional opening to the last one gives some sort of resolution, albeit bleak. I'm guessing that the NV is a man whose father who (I'm trying to be subtle, here) abused his position of trust. Hence the wife's tears, and the NV's ambivalence about God. The way the reader is sometimes unsure whether the father being referred to is earthly or heavenly is brought off really cleverly.

A couple of daft nitpicks - 'Below the alter and the cross' - is 'alter' a US spelling or a typo?
'Who's work I was performing' - I might be being an oaf, but 'who's' doesn't look quite right - is it supposed to take an apostrophe or is it 'whose'?

Still not sure whether I'm misreading this. There's such a richness and depth to it that I could happily misread it a few more times...
Thanks as always XX
alien Comment by: alien Online- 2007-09-14 07:59
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This is very intense. I think it could bear a little work in places, but what poem couldn't? I hear the message in this and it was a work I was glad I had read when it came to its close.
There were some absolutely stunning moments in there.
Very nice indeed :)
katiethewrastler Comment by: katiethewrastler - 2007-09-10 10:16
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I tried to comment on this poem before, but it got lost, so I'll try to rewrite it.

I love the image of "God's toilets and God's carpets" etc. The voice is strong throughout the poem and has a sort of melancholy effect, as though it should be raining while I read it. However, "warmth" seems to dominate the poem. Maybe try for a different word? Finally, not trying to be "nit-picky," the word "slapped" in the title and first line seems awkward to me; I read it and just felt like it didn't belong in the sentence, yet I'm having trouble trying to suggest an alternative besides "flipped." So, maybe there is no other word for it? Happy writing.
esknapp Comment by: esknapp - 2007-09-10 07:46
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Kenneth,
I have several comments on this poem, beyond telling you that it is right up my alley. I like the subject alot, and most of the images and word choices are excellent. Really good poem.
My comments are sometimes in the nature of observations, and it maybe that you have said things exactly as you wanted, in which case, disregard.
First stanza - The description of the air conditioning seems very active, where I assume it is meant to be a passive background to the more important actors on your senses and feelings. I picture the white noise, for example, falling upon you rather than coming on, and next line, conditioned air occupying the corriders, rather than air conditioning.
Second stanza I think is great.
Third, I might say "meant to" rather than "would" in the first line, as the rest of the poem seems to represent a rather significant payment, of sorts. I also might ad the word "enough" after "compensation" in line 5. Part of me thinks lines 3-4 might be a little much, but maybe not. I really couldn't think of anything I would consider a better alternative.
Fourth stanza, I felt that the second line was a little awkward, not pointing immediately to the fact that you refer to the cause of his sleepiness.I also think you could maybe use a full stop somewhere in this stanza.
Fifth stanza good. Opens very well, lines 7-9 seem a little clumsy to me. I also think "monstrous" might be better replaced with "overwhelming", again making it less active.
Last stanza very good, I just am left with a few questions. Why does the wife cry, and what is the truth about the father that is so dificult to bear, "hear". It sounds rather ominous to me, where my take was that it was something rather sweet, a reverence for God.
Anyway, I know I'm commenting more than usual - that isn't because I think this needs more work than usual, but because it was a subject I could see myself writing about, and I am probably overwriting too much. I like it alot, and it has your style.
Thanks for letting me go on,
Eric
Sophia Comment by: Sophia - 2007-09-10 05:52
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Wonderful writing, it reads very smoothly. the ending is particularly powerful, as is the imagery of the father and all the memories relating to him.
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