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Franquita
Julia Hall
United States, MA

Words: 521
Access: Public
Comments: 2

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Calluses

A.
The pencil has always
been your best friend,
Next to journals— Leather-bound
or decorated with some
Aesthetically pleasing
design or scene of
Mountains in Japan.
Every couple months you
take them out and
Lay them side by side,
comparing their size
and width, admiring
the pale, thin pages
that lay so stiff and clean.
You pour your ideas over them,
imagining what kind of
Story or collection of poems
would fit most nicely on
Those lovely leaves—
and yet you prefer to keep
your most treasured memoirs
and random musings safe
upon scraps of loose-leaf worksheets,
Piled in the corner.

B.
You use your assignment
Notebook as a daily
Record—not of classes,
but of the lives that
Flitter through your mind,
Scarred by the eggshells
from which they emerged
some months or years ago.
Only every now and then
are doodles replaced with
Notations— “page 37, one to twelve”
or “Mrs. Deisly didn’t shave
her facial hair today.”
A year from now you’ll
pull it out from your
Old backpack that you still
haven’t yet thrown away,
and grimace at the
Technical mistakes, but
Secretly and softly wish
that pencil strokes could still
so easily form bodies
that meant something to you.

C.
Your English teachers said,
“Write what you know,” but
Days like these you just
take pleasure out of making up
some tragic past you can assume
that will explain your laziness.
Until Thanksgiving you were
Fine to keep this all up
in your head, but all the
Happiness and stress of
Turkey-basting, pumpkin pie
has forced you now to realize
how disjointed your life became
once you were left
Alone with Mom and Dad, a
Cancer-dog and diabetic
cat—you tell your therapist
why nothing’s ever good enough
if the grade’s not an A, but
Fail to mention how you
have given up living your life
to live as someone else.

D.
A few times through the year,
the Hall Nazi comes in, and
Says it’s unacceptable
to eat lunch in the office
for the school newspaper. You
Complain to all your peers
how pointless his argument is—
You’re on the staff, but in your
Mind you scold yourself for never
writing articles. Now
Mom asks why you never
eat with friends, but
Bitterly you reminisce
that friends all fail
Eventually—except for
those who go away
before they have the chance.
It’s not clear yet
which way is worse,
but let it slide, as you
Eat your squished turkey sandwich.

F.
Things are different now—you
Left your journal stacks
at home, replaced by a
Gold-painted watch and
Fancy jeans. You buy artsy earrings,
but only the cheap kind
that fall apart after
only a week or so. Inside
You tell yourself that
these things aren’t important,
but yearn silently for the
200-dollar sweater
that’s in the mall. At night
You sit in bed, music
Plugged into your ears,
pencil in hand—some words
Escape, but tomorrow you’ll
Leave for class with nothing done,
and soon enough you’ll lose
your pencil-friend beneath a chair.

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Comments  
Robert Barlow Comment by: Robert Barlow - 2007-12-01 21:45
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Julia, I liked how full of surprises this poem is. :) --Robert Barlow
anakedrainbow Comment by: anakedrainbow - 2007-11-29 19:24
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This poem is delirious and crazy....and title is curious...as a former guitar player I treasured calluses because they were the reward for many hours hammering away at the fretboard. But often I felt deprived for having spent so many solo hours in the practice rooms which were like self imposed isolation booths...

This poem honestly reflects on your writing process and/or lack (?) of process, and that's completely respectable. For me, the squished turkey sandwich image evokes a lot of power. It's an unusual image that seems to say a lot about what the entire poem is about and more...yet a lot of the sandwich remains unspoken. The image of a compressed, isolated sandwich that "gave up its life to live as someone else..." is really amazing. The surrealist in me argues that the voice should be more playful...for example, is it possible for your inner squished turkey sandwich to be the one craving a 200 dollar sweater? The voice of this poem sounds so deflated and conflicted. I want it to have a way out, some sense of resolution.

It would be interesting to hear what this poem might say if it was re-told in the voice of the cheap earrings that fall apart. What is it about cheapness that's so attractive and temporary? Why do we let ourselves be lazy when there is so much real work to do? This poem bursts with questions.
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