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Dakota
Dakota James
Turkey, Lucid dreamer, Bodrum

Words: 814
Access: Public
Comments: 8

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Altai

Yuri Patenko stood dumbly by in the middle of his largest wooden shed, watching in horrified fascination as strangers, military personnel, the official had said, in Bio-hazard suits; poured gasoline onto his chickens and into their pens. He could taste its oily bitterness as he swallowed, too shocked to spit.

The noise was deafening, his birds were crying out, running into each other and squawking in terror and pain. He had never seen them scream before, didn’t know they could, his captives were usually so placid.

The realisation that they had feelings hit him like a physical blow. Oh no, what have I done? But it was much too late for conscience, his hands made futile fists. There was nothing he could do in this madness. Someone was shouting at him, a far off voice of panic.

‘Come on you old fool, you have to get out of here!’ The voice took form and pulled him hard.

The order was given and the burning molatoff cocktails were thrown. There was an audible wumph as the air ignited. Flames engulfed the six buildings simultaneously, hot orange walls of leaping, dancing heat extinguished the voices of those trapped within. He imagined their simple little faces melting in agony.

An inferno of tongues licked and flared, its hot savage mouth swallowing his life whole, and belched out ash and fiery moults, sparkling and winking in evil mischief. He felt he was drowning now, in the gasoline fumes, in the intoxicating aroma of old pine and burning dung. His fingers bunched into fists and squeezed into his palms. I want to hit these strangers, I want to do them harm. The flames leapt higher, his anger got hotter and his dry rheumatic joints ground against each other causing him even more agony. Clenching his teeth he managed to keep the rage in his mouth and stomped off through the powdery snow to his house.

Time bleached wood crackled and buckled, collapsing behind him, imploding in great creaking shock waves. He heard the building fall and the shouts for everyone to move further back. The body fat and feathers had caught and pushed the heat and sparks higher into the cold starry sky, propelling the little souls into the waiting Northern Lights.

As he kicked off his boots he stared back at the great swathes of purple and green lights playing their pyrotechnic ballet overhead, adding to the unreality. A sickly aroma permeated everything, as the thousands of bodies roasted. He would never be able to enjoy the smell of cooking meat again. The door slammed in its ancient frame shaking the stained glass.

‘Experts have been assigned to the Novosibirsk and Tyumen regions and the Altai Territory to assist in conducting epidemic countermeasures’, the antique valve radio fizzed in the corner from the shadows. Yuri sat next to his
bedridden wife with his grimy balding head in his calloused hands, his rounded shoulders hunched and sore with tension, a broken man.

Camphor hung heavy in the air. He imagined moths dying instantly as they raced for the light.

His livelihood gone, her life slipping away with every tick of the grandfather clock.

Torched, everything he had worked at for thirty years incinerated in an hour. He saw a future where he would be alone and he crumpled into himself.

They said this couldn’t happen. But only more anger waited around that corner he realised. There was no point in recrimination. He surprised himself with such a philosophical outlook. What was done, was done. I have given up he realised, looking down to his veiny arms expecting to see his life ebbing away. He rubbed his unshaven face and wiped at rheumy eyes.

His wife’s cough rattled painfully in her shrunken chest. He leaned over until he felt her words were a slow hiss in his ear. Her dry parchment hand touched his arm.

‘Yuri, what is that terrible smell of burning?’

He didn’t know how to tell her the truth. What would be the point?

‘It’s only the foreman clearing up my dear, nothing to worry about. Please, try and get some rest’. He stroked her thinning hair and kissed her clammy, wrinkled, forehead holding his breath. The surgical smells barely covered the thick cloying stench of suppurating ulcers. Cancer was eating her alive.

Standing upright painfully on his swollen joints, Yuri gazed upon the wooden crucifix that his wife had hung upon their bedroom wall, all those years ago. A wedding gift from her devout widowed mother. Its chiselled, haunted face had looked down on their nakedness, spoiling his enjoyment with his wife ever since. The insinuation of guilt and implied agony casting a shadow over something so natural. He suspected the mother had done it deliberately.

Where is your God now? he wondered, thinking that maybe Stalin had got something right.

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Comments  
Boonrassi Comment by: Boonrassi - 2008-03-25 11:33
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use anything that makes sense my friend.. ignore the rest.

Yuri Patenko stood dumbly (by) in the middle

//seems out of place.. it could certainly go without losing anything.

watching in horrified fascination as strangers,

//tell v show..
just subject verb the look on his face, posture, hands. whatever.
a story is like a picture dream, or call it a movie.
we want real time action expressesd with subjects and verbs mostly.
this creates moving pictures..

I'm sitting here watching a movie - like some 3d machine is pumping it between me and my screen.


//its subject verb construction that does that. thats all. its not my idea, its taught in every book, in every university.
it really is just called 'writing' though.

Yuri Patenko stood dumbly by in the middle of his largest wooden shed, watching in horrified fascination as strangers, military personnel, (the official had said,) in Bio-hazard suits; poured gasoline onto his chickens and into their pens

//tad confusing there.. also, that sentence is waaay long. there are several wildly different actions taking place.

The noise was deafening,

//pure tell. weak. nothing to see or hear.
noise......verbed.


his birds were crying out, running into each other and squawking in terror and pain.

//his birds cryed out, ran into each other and squawked...

//avoid the weaker 'ing' form when possible.
you mentioned some of my work being 'tightly wrought.'
this is one of the basic writing teks that contribute to that feeling.

//'ran into' could also be hit with a thesaurus.. no biggie.
i suggest using a thesaurus all the time. no, not for fancy words.
youve read a lot of my stuff... see any fancy words?
nope.
just potent, vivid ones.

He had never seen them scream before, didn’t know they could, his captives were usually so placid.

The realisation that they had feelings hit him like a physical blow.

//rather see this stuff than have it told to me.


Oh no, what have I done?

//dialog here maybe. saying it out loud.

But it was much too late for conscience, his hands (made) futile fists.

//stronger verb maybe.


There was nothing he could do in this madness. Someone was shouting at him, a far off voice of panic.

‘Come on you old fool, you have to get out of here!’ The voice took form and pulled him hard.

The order was given and the burning molatoff cocktails were thrown.

//pure talk im afraid.. its time here for

"shouted orders!"

and

subject verb description of the flaming cocktails in the air.
like a movie.

There was an audible wumph as the air ignited.

//telling..
what would it look/sound like in a movie?
subject verb it.

Flames engulfed the six buildings simultaneously, hot orange walls of leaping, dancing

//...orange walls of flame leapt, danced..

look at syns for 'engulf' and 'simultaneously'
just for kicks..

heat extinguished the voices of those trapped within.

//nice..
theres room here for a

"help me! god help me!"

or something like it though.
stead of just telling us.

He imagined their simple little faces melting in agony.

//nice..

An inferno of tongues licked and flared, its hot savage mouth swallow(ing) his life whole,

//dont need 'ing' there.

and belched out ash and fiery moults,

//belched out is redundant..
thats what belch means.
you might like some of the syns for that word also.

His fingers bunched into fists and (squeezed) into his palms.

//syns for press and stab maybe.


I want to hit these strangers, I want to do them harm.

//nice..strong voice.
why? lol.. yep.
its subject verb.

The flames leapt higher, his anger got hotter and his dry rheumatic joints ground against each other causing him even more agony.

//the amount of telling is really adding up. its sorta hard for me to read.

Clenching his teeth he managed to keep the rage in his mouth and stomped off through the powdery snow to his house.

//doesnt work for me.. its all tell.

Time bleached wood crackled and buckled,

//i THINK its time-bleached..
still, nice sentence. action happening.
why?
yep.
:)

He heard the building fall and the shouts for everyone to move further back.

//ah.. heres my bread and butter haha.
but... its all tell.
lets just see the building fall please. you can do it for sure. what does it *look* like? sound like?

and the shouts for everyone to move further back.

//no.

"You! Back off! Back up now!"

//yes.


The body fat and feathers had caught and pushed the heat and sparks higher into the cold starry sky, propelling the little souls into the waiting Northern Lights.

//all tell.
please dont hate me.. theres a reason why show v tell is a basic, key, fundamental of writing that whole books are written about.

simply describe fat and feathers aflame, thats all. close your eyes and see it happen.... now describe it with verbs.

As he kicked off his boots he stared back at the great

//He kicked off his boots. Swatches of purple and green lights played a pyrotechnic ballet overhead.

keep it simple.

adding to the unreality.

//not needed.. the wild lights do the trick.

A sickly aroma permeated everything(,) as (the) thousands of bodies roasted.

//dont think either of those are needed.

A sickly aroma permeated everything as thousands of bodies roasted.

//more concrete sounding.

He would never be able to enjoy the smell of cooking meat again. The door slammed in its ancient frame shaking the stained glass.

‘Experts have been assigned to the Novosibirsk and Tyumen regions and the Altai Territory to assist in conducting epidemic countermeasures’, (the antique valve radio fizzed in the corner)

//that could go before the radio talk.. no big deal.


from the shadows. Yuri sat next to his
bedridden wife with his grimy balding head in his calloused hands, his rounded shoulders hunched and sore with tension, (a broken man).

//no D.. dont ever tell us the mans broken.
show us spikey bone shards. tell us with a description of him or his surroundings. show us with 'tone'.

Camphor hung heavy in the air.

//might be my fave sentence in here.

(He imagined) moths dying instantly as they raced for the light.

//twice in 800 wds is too much... find another
'angle of attack'.

His livelihood gone, her life slipping away with every tick of the grandfather clock.

//hard to read.. all tell. how do we film the above?
not easily.

Torched, everything he had worked at for thirty years incinerated in an hour. He saw a future where he would be alone and he crumpled into himself.

//same here. cant he just talk a few words with the wife?
also.. could slip into internal dialog.
mix up the tools.
all the tell just does not work. not in 800 words.

They said this couldn’t happen. But only more anger waited around that corner he realised. There was no point in recrimination. He surprised himself with such a philosophical outlook. What was done, was done. I have given up he realised, looking down to his veiny arms expecting to see his life ebbing away.

//too much tell.. nothing is *happening*.
flash fiction is mostly action happening in real time.

He rubbed his unshaven face and wiped at rheumy eyes.

//theres a showing sentence. there really arent that many in here.


‘Yuri, what is that terrible smell of burning?’

//wonderful.. some dialog. readers like it a lot.

He didn’t know how to tell her the truth. What would be the point?

//no..
*show* the above with him turning away, looking at the ground.... whatever. what do *you* do when you dont want to answer someone?

‘It’s only the foreman clearing up my dear, nothing to worry about. Please, try and get some rest’.

//nice.. that came as a surprise.

Where is your God now? he wondered, thinking that maybe Stalin had got something right.

this story has got to be 85% tell.. thats just too much. youll see at some point that not much is *happening* in real time. its just talking at us.
its a matter of sentence construction.

hmmm.. you wont believe that this is a 600 wd story, but it is. once the fat is chopped it could sing.
thats after most sentences are rewritten to show mode of course..
thanks
T
Up the Staircase Comment by: Up the Staircase - 2008-03-23 15:52
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Dakota,

You are a very talented fiction writer. That's just all there is to it! I always enjoy reading your stories.

Take Care,

April (from Up the Staircase)
KibaChan Comment by: KibaChan Online- 2008-01-23 12:59
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Ah, poor old man! Who's gonna eat all that fried chicken? ^^; Good story nonetheless. I'm noticing you have a skill at telling so much in such a short story. Impressive ;)
wizzer Comment by: wizzer Online- 2008-01-16 17:41
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no nit picks
as usual vivid emotive and wonderfully written
your talent is extreme
xxxgeo
bounarjaf Comment by: bounarjaf - 2008-01-16 13:59
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This is powerful and well written. A few minor things:
I think bedridden and overhead should both be a single word.
"Camphor hung heavy in the air, he imagined moths dying instantly as they raced for the light." I would make this two sentences, or put another word like "as"
in between "air" and "he."
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