writing community
Sign In Here | Lost Password | FREE Sign Up
E-mail: Password:
Remember login  
The place for writers:
Upload your writing in minutes, receive peer feedback from other writers, poets, authors, then get your work published out there in the real world.       Learn how other writers are doing it.

 
KennethWelling
Kenneth Welling
United States, GA, Marietta

Words: 250
Access: Public
Comments: 3

Forward to a friend
Print Version
E-mail this writer E-mail this user 
View Author profile
Add to Readers  




Swelling Ribs in a Church Geography

Evening light, like youth, burnishes the hair
of late wedding guests around me.
She is always within a few pews
despite the erratic geography of dreams
that moves whispering bodies and friends
in an intricate social lottery.

Should I describe her dress to you?
Who could resist this desire
to convey the familiar topography
of each breast rising
above a thin receding plain of cotton?

I sometimes wish I could tell you
how at eighteen her ribs swelled
against her skin with each deep breath.
I’ve wanted to count them
pressing into my chest
as I now know I could have,
but this is not that poem.

You see, my wife is in this poem
circulating in the pews,
and she is the reason
I didn’t count those ribs
late, very late one Saturday night
before this other woman and I
left home for different colleges.

My wife glances at me
glancing at this woman.
She raises an eyebrow at me,
and she looks away, patient or bored,
when this other woman
is finally on my lap
staring me in the face
through a torrent
of loose brunette curls
which seem to smolder
in this evening light
in the middle of a wedding
in a church.

From experience I know
I won’t take this woman’s offering,
even within a dream.

I wake below a bank of lush coverings,
confused in the delicate limbs
of my wife. She snores faintly,
unfazed by this dream I’ve had.

Want to comment on this Poetry?
Sign up to Edit Red and you will be able to comment on Poetry and get access to: Upload your own stories and poems, get readers and their feedback, promote your work...
Sign up






[Back to top]
Comments  
KennethWelling Comment by: KennethWelling - 2008-02-20 21:58
Add to Readers
      
Eric, thanks for taking the time to really help me out with this one. Your comments make a lot of sense. I think there is a sort of discord in this one that doesn't work. The switch away from the dreamy feel is too jarring. I'm not sure if I should break the poem open and pull those bits out or if I should work to make the transitions less awkward.
Great food for thought.
esknapp Comment by: esknapp - 2008-02-18 10:56
Add to Readers
      
Kenneth,
I am not sure how to say this, exactly, but it feels to me as if this is parts of two great poems mushed together. I like the concept. I like the setting. I particularly like most of the third stanza, the final stanza,
and some of the other lines, such as the opening line, and the line about the "plain of receding cotton." In my opinion, a couple of the ideas don't mesh well with the feeling I'm trying to get from the poem, anyway. The geography/topography thing is a cool idea, and would work well, but doesn't seem to here, to me - its just a little discordant or distracting. Similarly, the self-referencing lines,
"but this is not that poem.

You see, my wife is in this poem"
also take away from the dreamy, nostalgic (ina good way) flow. The conflict of the narrator is real, and it resounds for me, anyway, as a reader. And the forthright manner in which the narrator is willing to share his pride/shame is becoming.
I really hope this is helpful, or if not, that it will spur you to tell me more about it.
Eric
HollyHeroin Comment by: HollyHeroin - 2008-02-15 21:35
Add to Readers
      
I enjoyed this. Writing is much better done in ones head than in reality.
1

Sponsored Ads


By KennethWelling

Featured Writers

Advertising - Terms & Conditions - Short Story Submissions - Contact - Writing Competitions - Writing Links - Book Promotion - Sky-Tribe.com - alanemmins.com
  Member short stories, poems, comments and other contributions are owned by the poster.
Copyright 2003 - 2007 Edit Red I/S