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Following the stranger
The night was falling fast now as the deep blue sky was turning black by the minute...
His fondest hour of the day was always when the stars started to shine brightly above, while in the distance a dim light still shone.
All birds and insects would stop their fuss just before the nightly creatures took over, giving him a peaceful moment.
It was a bit breezy that evening, but in a pleasant manner as Spring drew closer to Summer.
Distant scents of spices, oils and flower balms mixed with ripe fruits traveled silently in the wind. Echoes of the nearby desert city of Ahmun.
As the merchants would gather their benches and tuck them away for the night, these scents would change into wine, grilled meat, lust and sweat.
Pleasure is the decay of civilization. Good manners and delicate words conceal true feelings. Verbal mockery and irony take the place of offense.
Of course none of the civilized people would expect to have his head chopped off just because his words offended someone, but with this man –that would be just the case.
“What is he thinking? He looks like he’s always thinking something” said the young woman.
-“He envies all those who can have a normal life” the dark-haired lady responded.
“The things he misses most are the ones that seem natural to you and me, those that we take for granted. A calm evening, a friendly company, a warm embrace, a tender kiss…"
"Sleeping without nightmares and waking up to have breakfast with his wife and son.
Being concerned with the trivial things in life and fear what ordinary people do”
-“So why doesn’t he; Saadia?”
-“Because he IS what ordinary people fear. He’s the storm that threatens their roofs, the animal that slays their livestock, the boogieman that comes in the night to steal naughty children, the stranger that rapes their wives and the army that will burn and maim them. He’s their nightmare that never ends…”
Saadia stared at his bent head under the hood as he stood farther away
“…and he weeps for this gruesome role”.
-“But, why does he uphold such a dreadful part?”
-“You’ve never seen him child –have you?”
Saadia turned to the puzzled girl with the firm and slim figure that could put men into quarrels over her
“I mean really see him. He’s always covered with that hood and conceals his face –he’s good looking you know- and he’s always pulling away from us, away from everybody. Undercover of that darkness that always surrounds him."
"But I have seen him. I’ve looked into his eyes the day I met him…”
-“His eyes.. I like pretty eyes, does he have pretty eyes Saadia?”
-“Pretty?”
Saadia laughed with the naivety of the question,
“Yes, now that I think of it he has the most wonderful eyes you’ve ever seen."
"Even though at the time I was struggling to just pull my gaze away from them!"
"It was last Summer, as the hot days were ending and the first leaves were blown in the wind that I found him, laying half-dead on the grass. His clothes were charred and his leather chest piece blackened as if he had just popped out from the flames of hell itself. And maybe he had…"
"I undressed him, washed his wounds and tended them, covered his burned flesh with eucalyptus balm mixed with aloe leaf and cucumber. Gave him water to drink and stayed next to him for 8 days, when he finally opened his eyes and looked at me.”
Saadia briefly shivered at the memory but kept on;
“He was a very handsome man by any woman’s standards, to be frank, that was the reason I helped him in the first place. But when his eyes stared at me I felt an impossible anguish! Every bone in my body shrank a bit and my skin screamed agony like a million pins crept through it. My eyes felt as if two burning daggers were piercing them from inside-out… and I could do nothing to save myself as my breath seized. I stood staring at two mirrors where mist and shadow swirled forever in place of iris and pupils. And everything –everything!- swirled in there with them."
"Imagine every fear, every pain, ever demented passion, every sick thought the human race ever had –suddenly explode from within two tiny frozen ponds…
That’s what it feels like looking at his eyes!
With no apparent sympathy or regret, he spared me by casually turning his gaze away from me and put on the hooded robe you see him wearing always. That used to be mine you know, but I never miss it as long as it serves such a kind to the rest of humanity purpose”
she said and tried to crack a bitter smile at her own ironic joke;
"But as I stood there mesmerized in pain and anguish, in sorrow and anger, it struck me: this wasn’t his soul. I just knew it deep inside me. He reflected all the feelings he was draining from humanity. He’s a hub of pain and serves as a medium for every soul screaming in the world. That is his curse. And the burden I briefly glimpsed at, is what he feels every hour of the day… forever!"
"He’s the torment of everything stacked up in one instance. He is our shame and our relief. And –as I’m sad for him- I’m glad he exists to lighten our load.
"When he left; I had to follow. As a counter balance to my own guilt for what he feels."
"And I follow him since. Behind the darkness that spreads where he walks, underneath the thunderclouds that mark his presence… -I follow.”
(Thanking him with every tear, dreaming that I kiss his weeping lips, touching his tormented body, loving him with all my heart) –she thought to herself but never said it.
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Comment by: Kalin - 2008-02-22 13:51
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Dearest Jane :)
I overshot your comment. Apologies.
Thank you for your support and inspiration.
"Intriguing" is a great start for a character's story :) |
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Comment by: Kalin - 2008-02-21 22:09
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Tim..
thx for taking the time to comment like this. Your notes are all constructive and valid.
However I do believe you took my piece as a standalone story and misunderstood it.
You say I //tell instead of something happening. That the breeze should touch something, the smells should do something from something, and that it all is difficult to film.
You could be right in the way you see it.
But to me, it's just "telling" of a simple and peaceful moment when nothing happens.
The whole scene is the guy gazing at the sky on his favorite moment and the 2 girls talking. That's the film scene. I don't aspire it to be anything more. The reason is that it conflicts well between the outer peace and the characters storm inside as portrayed by the dialog.
I use "was" not too often and on purpose to make it sound even more narrative. It's something that "was" happening while the described scene lasted. Past tense would make short, final results.
There is indeed another way I could have written it, but I don't consider this wrong. |
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hiya Stavros..
The night was falling fast now as the deep blue sky was turning black by the minute...
//the night fell fast, the blue sky grew darker by the minute.
//no, you dont have to do it like that..
but the constant use of 'was...verb' constructions has got to go. its got to.
avoid was before verbs.
His fondest hour of the day was always when the stars started to shine brightly above, while in the distance a dim light still shone.
//pure telling v showing... rough to read.
All birds and insects would stop their fuss just before the nightly creatures took over, giving him a peaceful moment.
//all telling.. literally nothing is happening.
how would you shoot this if it were a film?
not easily.
action happens with subject verb constructions. thats what you want.
the wind boosted the sound of rustling leaves.
anything can be expressed as action.
It was a bit breezy that evening, but in a pleasant manner as Spring drew closer to Summer.
/all telling... nothing is happening. nothing.
impossible to film.
the breeze brushed the back of his neck.
//showing.
As the merchants would gather their benches and tuck them away for the night,
//would before a verb.. sure, its ok every now and then.. but its your only move. the only tool in your toolbox.
//as the merchants gathered their....tucked them..
try not to even use 'was verb' constructions... dont do it for a thousand words.... itll force good sentences.
these scents would change into wine, grilled meat, lust and sweat.
//telling..
the scents changed into wine, grilled meat, lust and sweat.
//showing, action happening..
easy.
Pleasure is the decay of civilization.
//good.. strong voice here. this telling can stay in.
Good manners and delicate words conceal true feelings.
//nice.
Saadia laughed with the naivety of the question,
//awkward..
"He’s the torment of everything stacked up in one instance. He is our shame and our relief. And –as I’m sad for him- I’m glad he exists to lighten our load.
//good dialog... nice.
ok, thats it for me.. this story needs work.
build more sentences with subjects and verbs..
theres very little that HAPPENS in the first 5 or 6 paras.
a short story is supposed to be all happening. lol.
forget about the first para and start in right away with the dialog maybe.
good luck..
T |
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Comment by: jgilgun - 2008-02-19 17:32
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| You write with an air of mystery and intrigue, leaving me wanting to know more about this person--where he came from, where he is going, whether he is doing any good--and this also could be a sketch, like an artist's sketch, in preparation for a larger canvas. It feels like an early draft, but I also would not overcraft it and thus drain some of its life. |
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Comment by: Kalin - 2008-02-18 00:49
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Thank you both for your comments guys.
This story is part of a bigger one, where the "hero" figure is already established as a fighter, and a sinister persona. This is the part where we're supposed to take a sneak peak of what's going on under the surface, but didn't want him to tell us and I didn't like a writer's narration.
The dialogs are in italic in my prototype and I couldn't support them here. I understand it is a confusing flow as is. I'll change it.
The second sentence is indeed too long to start like this Bucho. I'll re-write the whole sentence.
As far as typos, heh :P I always misspell were /where and brake /break and the auto-correction -naturally- doesn't change them. Thanks for pointing it out.
I'm really glad that the problems are of grammar nature rather than structural. I was afraid that the whole piece would look redundant to someone who hasn't in his mind the full story as I do. If -even as a part- it intrigues you, then it's what I want in my story.
I need to avoid cliche-reaction when -let's face it- I write about cliche stereotypes (the hero who has a dark inner self and is tormented... blah)
ATF: "who he is exactly" is already established in my larger storyline. He's the anti-hero. He's the main threat. And I write his story in parallel to my hero's so I can magnificently clash them in the end :)
Thank you both |
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