writing community
Sign In Here | Lost Password | FREE Sign Up
E-mail: Password:
Remember login  
The place for writers:
Upload your writing in minutes, receive peer feedback from other writers, poets, authors, then get your work published out there in the real world.       Learn how other writers are doing it.

 
Shadowdancer
John Miller
Online
United States, Illinois, Bartonville

Words: 822
Access: Public
Comments: 9

Forward to a friend
Print Version
E-mail this writer E-mail this user 
View Author profile
Add to Readers  




Suitcases

“You are the light of my world,” he says, his face beaming and his eyes aglow.

She scoffs and continues combing her hair as he watches from the doorway. He’s like a child in a candy shop, eyes wide and a innocent smile. Handsome beyond belief, she pulls her eyes from his blond hair, tanned chest, and clear blue eyes back to her reflection.

Her heart sinks.

“You don’t need makeup,” he says, his voice a husky whisper. “You are the most beautiful woman in the world.”

She snorts distaste at his clichés, but her heart warms. Chelsea knows he believes what he says, his eyes clouded by love, endorphins playing tricks on his brain. He is naïve and so innocent, a treasure in a world of cold hearted players, men who say all the right things to get what they want. The difference between him and them is he believes what he says.

That is why her eyes mist as she gazes at him, having finished before the mirror. He could easily capture a younger woman, a prettier woman, and when the magic endorphin rush of love wears out, he will see her as she really is: a middle aged plain woman.

“I love it when you look at me like that,” he says misunderstanding her misting eyes. “I can see the love in your eyes.”

She smiles and dabs her eyes with tissue, checks to make sure her mascara isn’t smeared—it isn’t—then smiles sadly.

“What?” he asks. “Something wrong?”

“Nothing lasts forever, baby,” she says.

She brushes past him and he follows her into the living room, her puppy on a leash, and she knows he’ll come with her to California if she but asks.

“When’s your plane leave?” he asks hopeful.

“Tonight. I’ll call you when I land.”

“And then I can come to California?” he asks. “We can discuss me moving out there… permanently?”

He wraps his arms around her from behind, presses against her, and before she realizes it she cradles his muscular forearms against her breasts. Her breathing speeds as her heart thumps louder. She can hear her pulse in her ears. Miraculously she is wet—no man has ever had that effect on her, not with but a touch.

It’s his words, she knows, that has this effect on her—his innocence capped with belief in everlasting love. He believes in love while she doesn’t. She feels love for him, but it’s just a chemical reaction that will burn itself out in a couple years.

“Can I?” he asks again, his words a hot breath against her neck.

How can she tell him? She cannot bear watching his heart break, his innocent heart which believes in love. This beautiful man half her age doesn’t understand that things break down, nothing lasts forever, entropy claims us all, and at the end life happens. And life is about death as much as it is about living.

“I’ll call you tonight,” she lies.

Ten hours later, as her plane touches down, she calls her cell phone company.

“I want my number changed.”

Their relationship was over before it began. He is young and a dreamer—he will learn to love again because he believes.

And her?

She catches her reflection in glass as she nears the terminal, pulling her carryon luggage, and she frowns. Beneath the window grass shoots through cracks, green trying to flourish like her young dreamer—grass that will be gone tomorrow as more cracks entropy across the pavement.

“Miss?”

She starts as she realizes she lost herself in her reflection, blocking access to the walkway tunnel. A line of people wait for her to move while others hurry past. Her reflection turns to a shadow among shadows on concrete as she joins the others in the procession toward the end of their journey.

Inside she sits with the others, waiting for their luggage. They are just like her, she knows, dying, moving ceaselessly closer to the end of their journey. She reads the doctor’s report again for the hundredth time. When the luggage arrives on the conveyer belts, she puts the paper back into her purse and joins the others standing around the conveyer that moves the bulky suitcases along.

Soon, she thinks, she will be opened up like a suitcase at the end of its journey, and all her contents—her soul and memories and sins (and the love she secretly holds for her young and idealistic lover)—will empty into… what? Some cosmic dresser in the skies?

She chuckles until her cell phone rings. Her cell phone company hasn’t changed her number yet.

“You didn’t call,” he says hurt.

“We need to talk,” she says as she spies her suitcase.

“About what?”

“About suitcases,” she says impulsively. “Have you ever been to France?”

Want to comment on this Short Stories?
Sign up to Edit Red and you will be able to comment on Short Stories and get access to: Upload your own stories and poems, get readers and their feedback, promote your work...
Sign up






[Back to top]
Comments  
Shadowdancer Comment by: Shadowdancer Online- 2008-03-15 13:30
Add to Readers
      
Very cool, LJ!! I'm EXCITED to hear you say that about this romantic bit. Your suggestions are weighted in gold, my friend, and I will be using them!!

YIPPIE!!
L J Comment by: L J - 2008-03-15 13:26
Add to Readers
      
A superb story. One I reread listening to David Gray's beautiful music. Check him out at his website of the same name. His music fits this story hand in glove.

As i said, the writing engaged me from the start. From there it was easy to follow the author's direction. And I thought, why is he not writing more of this "good" stuff. Damn! He just gets it so right, albeit a few observations:

She snorts distaste ... aged plain woman
= This train of thought and the way it is rendered here is perfect. Absolutely incredible writing.

The dialogue is compelling and moves the story forward.

but a touch.
=You've used "but" in this context earlier. I would suggest using only one clause of this nature.

Aah, now we see the one sidedness of a relationship.

...entropy claims us all,
and grass that will be gone tomorrow as more cracks entropy across the pavement.

=usage of the word entropy. I would try using it once only and find another active verb

The rest of the story is superb. Not only do you excell in writing horror, romance is an altogether different gene which i feel, you may have mastered without even knowing it. You present text book formula of woman having had enough of a relationship.

I should think that the most important sentence in this story is: "Their relationship was over before it began. He is young and a dreamer—he will learn to love again because he believes."

This is the crux.
This is the hurt.
This is the beginning.

Respect
Shadowdancer Comment by: Shadowdancer Online- 2008-03-15 13:12
Add to Readers
      
Okay... that's it. I'm copying/pasting what you just wrote. LOL!
helao Comment by: helao - 2008-03-15 13:09
Add to Readers
      
"I think you may have hit upon another part that would slow the reader (and possibly editor) down. I think I could remove the paragraphs and insert hyphens like you suggested, and also adding "his"... like this (what do you think?): "Handsome beyond belief, she pulls her eyes from his blond hair AND tanned chest, HIS clear blue eyes back to her reflection."

hmmm...it's still unclear to me.

I'm thinking, maybe if you tied the following sentence to the last one, as in:


He’s like a child in a candy shop, eyes wide with an innocent smile, handsome beyond belief. She pulls her eyes from his blond hair, tanned chest, and clear blue eyes back to her reflection.

I don't know, what do you think?

"Simply by removing the parenthesis, don't I allow some breathing room?"

YES

your enthusiasm is friggin infectious.
Shadowdancer Comment by: Shadowdancer Online- 2008-03-15 12:57
Add to Readers
      
Helao, I think you may have hit upon another part that would slow the reader (and possibly editor) down. I think I could remove the paragraphs and insert hyphens like you suggested, and also adding "his"... like this (what do you think?): "Handsome beyond belief, she pulls her eyes from his blond hair AND tanned chest, HIS clear blue eyes back to her reflection."

For the other part? Hmmmmm. I don't know. I think there needs to be something more than a comma between "contents" and "her." What do you think of this?:

"Soon, she thinks, she will be opened up like a suitcase at the end of its journey, and all her contents—her soul and memories and sins and the love she secretly holds for her young and idealistic lover—will empty into… what? Some cosmic dresser in the skies?"

Simply by removing the parenthesis, don't I allow some breathing room?

I am VERY EXCITED you addressed these points for me. THANK YOU SO VERY MUCH!! HIPPIE (oops, I meant YIPPIE)!!!!!!
1 2 Next

Sponsored Ads


By Shadowdancer

Featured Writers

Advertising - Terms & Conditions - Short Story Submissions - Contact - Writing Competitions - Writing Links - Book Promotion - Sky-Tribe.com - alanemmins.com
  Member short stories, poems, comments and other contributions are owned by the poster.
Copyright 2003 - 2007 Edit Red I/S