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helao
sean h
United States, CA

Words: 321
Access: Public
Comments: 4

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Etude: No Exit

“Will you change the station, honey? Her shrill voice cut like a ginzu into his reverie.

“I hate this bridge…” Why can’t she do it herself?—the bitch. He bites off a hangnail and chews.

“What did you say? All these people honking--I can’t stand it. We’re not going anywhere, but they honk. Stupid. There, that’s better. I love the Beach Boys.”

God, how can she like that CRAP? There had to be a better life than this. Somewhere, someone has it way better than he does.

Maybe some guy, age fifty-two, like him, is on the beach this very minute, sipping on something with an umbrella.

And beside him is not a sorry specimen of a woman with a dated hairdo, wrinkled face, and sagging tits, but a luscious, dewy young thing in a skimpy bikini smiling at him, not with yellowed crooked teeth, but straight pearly ones, not with an obnoxious voice, but a sweet sexy one, not with bad taste in music, but a hip glamourpuss who digs the gnarl of heavy metal, not a woman in drag who clips coupons in her spare time, but a babe who massages him and gets brazilian wax or whatever, not a bore whose idea of a great time is going to smelly gardens, but the babe, after getting waxed, who fucks his brains out till he goes into a coma, not an idiot who hangs hideous prints in gawdawful plastic gold frames, but a sophisticated woman with great taste in real art whatever great real art is, not like his wife who reads romance shit, but someone smart an interesting who can talk about politics and football, not someone whose ass goes over the toilet seat, instead a goddess with a deriere he’d want to bite into.

And the guy probably doesn’t have a beer belly, drinking problem, thinning hair, and shitty job, either.

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Comments  
helao Comment by: helao - 2008-04-12 08:57
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thanks for the comment and critiques, guys.

Matt, it's the woman talking. All that is w/in one quote. when she asked "what did you say?" and then starts talking again says no. 1, she's not listening, two, she doesn't care what he has to say.


You might need your glasss :P

and tim, every ONE of my short stories I had no idea what I was going to write about. Honest. No oultines in my head or paper. I just sit in front of the puter and dig in. It's a method I've known and stick to. eh, to each his own, I always say.
mattarnold Comment by: mattarnold - 2008-04-12 07:51
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very cool piece.

I would have used, are they called elipses, you know ..., at the end to indicate that while you are not going to list all his shortcomes, this list would be long. It makes for a tighter ending to only list a few like you did. I think the last line makes the whole piece.

I liked "cut like a ginzu into his reverie"

I think the third part of dialgue is two different people talking, isn't it, but it's written as one

"What did you say?" Isn't this her now speaking
"All these people honking...." And isn't this back to him.
Boonrassi Comment by: Boonrassi - 2008-04-12 05:29
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this is ultra cool Sean.
the last line is a stunner to me...dudes blind to the idea that its his fault...that we create everything we see and hear and taste.

cut(s) like a ginzu

but someone smart an(d) interesting who can talk about

//typos.

meet Steve.
http://www.editred.com/SteveJohnson
Steve writes for set time limits, with no idea what hes going to write about before he starts.
gentlemens bet you love love love his

30 Minutes Writing on Fame.

i tried the tek and wrote

The Trill of Credit and Woman's Work.
both, in about an hour each, both having zero idea what i was going to write about first. that gay hacker cop just appeared out of the ether and i was beyond thrilled.

nice work Cali, and the titles tight.
( /)
( . . )
c(")(")
T
helao Comment by: helao - 2008-04-11 22:24
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This is a record for me--under ten minutes. Unedited. Probably shows.
1

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By helao

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