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Lisboa Antigua e Moderna
I am the singer of Fado.
I am marginalized.
I live on the outskirts of despair.
Take the little trolley car
Up Lisbon's steep streets
Past hope, beyond redemption,
Into the suburbs of Poverty,
Where homeless children sleep in doorways
And old men lie dying on benches.
I am the singer of Fado.
I pick the pockets of the dead
And rob the graves of those who died
Penniless in prisons and asylums.
My people live here
Working, crying and singing.
They do not know what fascists looked like
All the fascists are dead, but Fascism lives.
I am the singer of Fado.
My trinity are not the Church, the State, and the Army
Nor are they Wine, Women, and Song.
The triumvirate of arrest, imprisonment and torture
Preside in the court of public disapproval
Where Gypsies and thieves play guitars,
Squeezed between Spanish swords
And the terrors of the sea.
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Comment by: alien - 2008-08-14 08:19
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| I like this - I'd like it to be set out more like a prose rather than a poem, though, to fit the category better :) |
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I prefer not to cavil over gramatical niceties, but to speaxk as people actually speak.
Perhaps if you read "My trinity" as (the members of) my trinity, that may kill youir bug. ;>) |
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Comment by: Arley - 2008-08-11 06:53
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This is some excellent work, but there's one thing that bugs me. Trinity, though meaning three, is a singular noun and should have IS following rather than ARE:
My trinity is not the church . . . |
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| Powerful, dark and vivid. This is truly an excellent piece of work. Your words paint a portrait that gives a very clear sense of the sadness and hopelessness inherent in the place as well as in the heart of the narrator. Very moving, very well done. |
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Comment by: phillmag Online- 2008-08-08 05:00
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| great work. I like: Up Lisbon's steep streets/Past hope, beyond redemption. This has depth of despair. |
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